Angela Wright

Angela Wright began writing poetry at the age of fifteen, using it as a way to
explore the world around her. The biggest influence on her poetry has been her
training as a historian, both at the undergraduate and graduate level. Her poems
often transcend temporal boundaries and demonstrate that, because of the
fluidity of time, events do not occur in a vacuum but rather reverberate across

For Staging Histories, Angela will perform a collection of poems that explores the
often-tenuous experience of people of African descent in North America. It is an
assemblage of poems written at vastly different moments, each poem with its
own inspiration, but they all explore the many legacies of the enslavement and
colonisation of black peoples on both sides of the Atlantic. These poems,
however, are not stories about the past. Rather, they are meant to serve as
contemporary stories that gaze into their historical antecedents to offer an
explanation for an imperfect present.

Though primarily a literary poet, Angela has dabbled in performance poetry,
participating in various showcases while an undergraduate student at the
University at Buffalo. She holds a bachelor’s in History and African-American
Studies and a master’s in History from The University of Iowa.



Kayla Carter

I am  a writer, a storyteller, a poet,  an actor,  and a dancer. I am a Toronto-born artist who is of Jamaican, Cuban, Maroon and Taino ancestry and believes that her existence is not accidental nor is it coincidental. I believe that art is a healing, transformative and meditative process not only for those who are receiving it but also giving it. My work focuses on regimes of trauma, healing, diaspora, affect, shame, institutions and histories of violence, queer theory, blackness, transnational feminist thought and storytelling.  I am currently completing my Masters in the Critical Disability Studies Department at York University, where I am focusing on mental health within Caribbean communities, histories of ancestral trauma and how there is healing through art.

I have always been of the belief that telling our stories is how we step into an understanding of our past. For Fried Plantains is how I understand my past. I am so honoured to be part of Staging Histories because it is a space where the cultivation of histories that are so often forgotten is honoured, cultivated and respected.